Saturday, 21 May 2011

Pump - Aerosmith

Our cousin insisted we put Aerosmith's 1989 album Pump into the basket. We were dubious having been a little too young for the long-haired 80s (unless it was Janet Jackson). But soon after we found the album at a record fair for $12 and it was clear that it was meant to be. While we're familiar with the singles, we're embarrassed to have discovered how good this album is thirty years late.

Aerosmith is Sex. Rock. Gold.

Hair rock. Cock rock. Whatever you want to call it. This period isn't seen as one of the high points of 20th century music art. Overblown. Insubstantial. Maybe so. But play this on a Saturday night, do a shot of Jack with a beer chaser and have a real good time. And if listening to this album doesn't put your lady in the mood, ditch her and find a new one.

Young Lust breaks into your dad's liquor cabinet, smokes your weed and hits on your sister. The rocking opening track is followed up by F.I.N.E. Fucked up. Insecure. Neurotic. Emotional. Sounds like a mantra for today's emos. If only they wrote songs as good.



Love In An Elevator. The film clip is outrageous. Katy Perry and Lady Gaga have a lot to learn. The orgasmic screams of Steve Tyler are however, a little disconcerting. Janie's Got a Gun is still a tremendous, beautiful and haunting song.

Don't Get Mad, Get Even starts with a didgeridoo. Yes, that's right. It then proceeds into a swampy, southern rock verse before launching into a gigantic chorus, replete with screeching lead guitars, layered vocals and key changes. Sadly, the didgeridoo fails to make another appearance.


The final track, What it Takes is a great song. It's a soaring, catchy epic. Aerosmith may not have invented this genre of pop music, but this song demonstrates they sure as hell mastered it, maybe even perfected it. Go back and revisit their 1973 song Dream On. Eminem and even Glee recognise the brilliance.

There are barely any liner notes on the album sleeve - Aerosmith weren't interested in getting to know you or explaining themselves to you. You like this on the first listen or you don't. They're not the sort of band who sticks around to see sunrise or cook you breakfast.


While we love Radiohead and Wilco, this album reminds us of what rock is all about. Girls. And Sex. Preferably the later with the former. And getting drunk. Actually, probably best if all three are combined. There is no way you can look at Aerosmith, Steve Tyler, Joe Perry, the album artwork, or any of their clips without thinking about sex. Next week we promise to not to mention sex. It's getting uncomfortable for all of us.

1 comment:

  1. "Hello Mister Tyler. Going...down?"

    Strong memories of high-school socials, cringe-inducing hair styles, and getting very, very drunk well before my time. (Sorry Mum).

    Thanks for prompting the memories, even if for some of them I'd prefer not to have such clarity in recall.

    Seeing as you asked for it, and I'm procrastinating anyway, here is a sample of my classic albums, in no particular order:
    Pink Floyd - Dark Side of the Moon
    Led Zeppelin - Led Zeppelin IV (the one with Black Dog & Stairway to Heaven)
    Pearl Jam - Ten
    Baby Animals - Baby Animals
    Blues Traveller - Blues Traveller
    Jamiroquai - Return of the Space Cowboy

    I freely concede that some of them don't deserve to mentioned, let alone compared to, some of the great albums that I know are in the basket. To my defence, I quote the precedent set by Little Earthquakes.

    Looking through the my iTunes list of albums, I am ashamed to admit that the words "Greatest", "Definitive", "Essential" and "Collected" appear far too often. I have always thought of myself as having level of curiosity that extends beyond
    the superficial. This may be evidence to the contrary.

    Oh, and I ignored the Neat Hi-Fi-5 rule. Sue me.

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